"Bring the Noise" (Bloodshot Records) by Morgan's previous group, the Unholy Trio,
directed by Mark Miks, a music video by Action Figure, Austin, Texas, debuted at SXSW in 2005.
"Just a Closer Walk with Thee" recorded at the Rose City Park United Methodist Church, Portland, OR. Produced by Josh Meredith
Drunken Prayer on Pandora Radio
Pandora Radio from the Music Genome Project.
Create a Drunken Prayer radio station.
If it was up to us though, you'd get a mix like this-
Have fun, congregation.
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CONTACT for booking, love letters, hate mail.
"I hear Roy Orbison's voice channeled thru a televangelist gone wrong. His guitar smokes like Link Wray on Bible belt steroids...with the sweet & petit Miss Audra aping Iris Dement as a piano pounder in a sleazy gold rush Saloon, while erstwhile drums & bass blast tin cans off the back yard fence at 50 paces... A SHOW STOPPING, GOSPEL REVIVAL TURNED MURDEROUS RAMPAGE."
Village Voice:
Robert Christgau's 2000 Consumer Guide "Choice Cut" for cover of Public Enemy’s “Bring the Noise” Mountain XPress (Asheville, NC): "...his style varies from outright guttural to an almost inculpable sincerity..."
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Harp Magazine:
"...one part the Band, one part Tonight's The Night and several parts sinner's remorse...Bad Seeds-in-New Orleans noir..."
Tables Turned (Portland, OR):
"These sorrowful, brutish, hell-bent songs pick up a narrative thread in American music that's too long been left in the dirt."
"..authentic, unapologetic American music, straight, no irony chaser..."
"I hear Roy Orbison's voice channeled thru a televangelist gone wrong. His guitar smokes like Link Wray on Bible belt steroids...with the sweet & petit Miss Audra aping Iris Dement as a piano pounder in a sleazy gold rush Saloon, while erstwhile drums & bass blast tin cans off the back yard fence at 50 paces... A SHOW STOPPING, GOSPEL REVIVAL TURNED MURDEROUS RAMPAGE."
Village Voice:
Robert Christgau's 2000 Consumer Guide "Choice Cut" for cover of Public Enemy’s “Bring the Noise” Mountain XPress (Asheville, NC): "...his style varies from outright guttural to an almost inculpable sincerity..."
Dallas Observer:
“…Geer snarls in a bastard twang…”
Detroit Metro Times:
“…disturbing…hilarious…”
Rhapsody.com:
“Drunk…lo-fi hillbilly boogie…”
Austin Chronicle:
“…Neanderthal-country…”